Get all 15 Andrea Van Cleef releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Horse Latitudes, Folksession Live Official Bootleg, SAFARI STATION, SHINE (LIVE IN PAVIA - APRIL/12/2018), The Deep, 135, Tropic Of Nowhere, Reverently Heading Into Nowhere, and 7 more.
1. |
A Horse Named Cain
03:28
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2. |
Arrows
03:24
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3. |
The Longest Song
02:53
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4. |
Love Is Lonely
03:21
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5. |
Thing
02:52
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6. |
Come Home
05:00
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7. |
Ooh La La (Faces Cover)
03:39
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8. |
Fire In My Bones
03:19
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9. |
Slaughter Creek
03:06
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10. |
The Disappearing Child
03:34
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11. |
Andrea Van Cleef Brescia, Italy
Singer-songwriter - guitar/bass player - producer.
Stoner rock, psychedelic folk, doom-psych, retro-rock.
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supported by 6 fans who also own “Horse Latitudes”
This is the bands last release and boy did they deliver.Someone used the word stunning to describe the music.Hard at times yet that cello what a beautiful instrument. It can make the hardest song soft.As always an honour to support fellow Canadians, thank you for making this world a better place for a little while as when listening i leave this shit hole world behind for a short while.
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Spooky Sounds From the Underground Volume 1
by Various Artists
supported by 5 fans who also own “Horse Latitudes”
Some great sounds here! Got this over two years too late (as always!) but at least I have it for next year... :) No faves & recommended!
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The Serpent’s Here
by Per Wiberg
featured on Bandcamp Radio Mar 15, 2024
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Goodnight My Children
by The Neptune Power Federation
featured on Bandcamp Radio Mar 15, 2024
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Wet Cactus - Magma Tres
by Electric Valley Records
A stoner-rock opera with dystopian themes, the Italian band's third LP fuses apocalyptic fury with psychedelic splendor.
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Creatures Of Bad Habits
by Kentucky Green
supported by 5 fans who also own “Horse Latitudes”
Equal parts Brandt Bjork and Pentagram. Long songs with a desert/stoner flow coupled to crunchy riffs and mid-range vocals that are more rhythmic than melodic. Everything is rooted in bluesy doom and it all seems so logical, but I don’t think it’s ever been done quite like this. Killer album.
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